Category Archives: Self Publishing

A Question About The First Draft

Question: When they say your first draft of a film script is bad, what do they mean, and how many drafts do you need until it is perfect?

Answer: “They” who, exactly?

A first draft is exactly that: bleeding out your idea onto the page to see if it’s worth its weight in pixels. Birthing is not a pretty process.

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Question: How would you suggest getting past the dreaded “we do not accept unsolicited material” notice?

It’s really simple: you send a query letter.

Companies DO NOT want to see your screenplay; that is the “unsolicited material” they don’t accept. They’ll accept query letters all day long.

Do your due diligence: find out who you contact, and send your query letter specifically to that person (or department). That’s the professional way to get your foot in the door and, ultimately, to get the company to ask to see your screenplay.

How can I send manuscripts or drafts of my book to publishers without having the fear of my ideas/writing getting stolen?

First and foremost, you DO NOT send an unsolicited manuscript to anyone. All they’ll do is just throw it in the trash; no reputable company accepts unsolicited material.

Second, you DO NOT contact publishing companies. No reputable publishing firm accepts non-vetted material.

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Why do writers still need publishing companies, when you can self publish?

Writers don’t need publishing companies. They haven’t needed publishing companies for more than a decade.

Writers also shouldn’t self-publish. With the maturation of the indie publishing community, there are professionals (the exact same professionals who work for publishing companies) who can help any anyone with a manuscript go from writer to author.

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Question: Do you think that novelists can write about what they don’t know?

Answer: Nope. If you write what you don’t know it rings false, and that transfers directly to the page, and the reader will always pick up on it.

To correct some misconceptions:

  • How many submarines did Jules Verne ride in? None. But he was intimately familiar with the French submarine experimenters of the time – including the submarine “Le Plongeur” designed and built by Simon Bourgeois and Charles Brun, which (gee, coincidentally enough…) just happened to be around for seven years before 20,000 Leagues Under the Sea was published, and which Verne actually saw when he was writing the story.
  • Fiction isn’t about “what you don’t know” at all. It’s about storytelling. Good storytellers write what they know. They always have, they always will.
  • Those who claim you should write what you don’t know – using the “crusading knights” and “dragons” and “space travel” and all the Hogwarts stuff doesn’t exist argument – clearly don’t understand storytelling. A story isn’t about the inner workings of hyperdrive, the quantum physics of a witch’s spell, the anatomy of a dragon or any of that ancillary ‘color.’ A good story is about heroes and villains and love and hate and human emotion. THAT is what good storytellers always write about; they write what they know.

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