Thomas Leo “Tom” Clancy, Jr. (April 12, 1947 – October 1, 2013) was an American novelist and historian best known for his technically detailed espionage and military science storylines set during and in the aftermath of the Cold War, and for video games that bear his name for licensing and promotional purposes. Seventeen of his novels were bestsellers, and more than 100 million copies of his books are in print. His name was also a brand for similar movie scripts written by ghost writers and non-fiction books on military subjects. He was a part-owner of the Baltimore Orioles and Vice Chairman of their Community Activities and Public Affairs committees.
Tag Archives: inspiration
Oh. My. Goodness.
My favorite author has just spanked the Emerald City Doorman hard enough that it’s going to leave a mark. And Mr. Maass is going to have a severe limp for quite awhile!
It’s no secret that I am an indie-publishing heretic, posting often and everywhere about how every author should look into getting themselves published without getting ridden hard and put away wet by a legacy publishing dinosaur (that’ll give you a limp for sure!). But no one – NO ONE – takes the publishing industry or their flan-boys to task better, cleaner, and more beautifully than Mr. Konrath.
Not really a trust issue for me; I have a whole lot of keys on this keyboard and I’m not afraid to use any of them. But there’s a different perspective from Lynn Viehl:
Tomorrow it will be one week since writers around the world began working on their National Novel Writing Month book. I always love the first week of writing a new novel, but I always hate it, too. There’s the excitement of beginning a new story, which clashes with the dread that I’ve chosen the wrong idea to write. I’ve probably had the characters in my head for quite some time, and yet I’ve never heard them before on the page (a bit of synethesia there; I hear my characters via the dialogue I write.) Unless I’m working on a series book I’m generally in a new place with a lot of unfamiliar folks doing things unknown to me, and this can be both exhilarating and exhausting.
For some of you this first week has been instructive; it’s given you a chance to engage in a work routine, figure out how much you can comfortably write per day, etc. You’ve discovered self-discipline, internal or external motivation, and how you may best do this thing. For some of you it’s been the exact opposite; you’re fighting with the words and the characters and the concept; the story is getting away from you (or hasn’t appeared at all as you imagined it), and you may even be thinking this was a very bad idea, and/or you’re considering tossing in the towel now before you end up looking/feeling/writing like a fool. Most of you will waffle between these two states or land somewhere in the middle of them for the next twenty-five days.