Category Archives: Self Publishing

Amazon reports self-publishing accounts for 25% of top 100 ebook sales in U.S.

Yep.  Since 2007, the self-publishing part of the ebook pie has been sizable.  In just a few years, the self-published author has gone from zero to hero, owning 25% of the top 100 ebook market, as reported by Amazon.  No matter how many reports  traditional publishers put out – saying people are eschewing ebooks, that kids don’t like ebooks, and that ebooks are the bane and scourge of the publishing world – it appears that those bought-and-paid-for ‘statistics’ aren’t based on the cold hard numbers generated by their greatest imagined enemy: Amazon.

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Kurt Vonnegut’s eight rules for writing a short story

When it came to giving advice to writers, Kurt Vonnegut had some great stuff.  He famously warned people away from the use of semicolons by describing them “transvestite hermaphrodites representing absolutely nothing.”

Eight years before his passing, Vonnegut published a collection of short stories titled “Bagombo Snuff Box.”  The book was made up of previously published short fiction from his early (and short) career from the 1950s writing for magazines.  These works did not appear in Vonnegut’s previous collection, “Welcome to the Monkey House.”

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NaNoWriMo: National Novel Writing Month

2013-Winner-Facebook-ProfileAs a multi-year winner (including this year, he wrote, tooting his own horn), I always look forward to NaNoWriMo.  And Camp NaNoWriMo.  And I have fond memories of Scriptfrenzy, and hope they bring it back.

An article from the Examiner puts NaNoWriMo (National Novel Writing Month) in perspective:

A day to remember for a lot of writers. NaNoWriMo (National Novel Writing Month) has officially come to an end. While a lot of authors have triumphed, writing 50,000 words in just one month, others gave it their best but didn’t quite make it. But that should hardly be the point.

A lot of people think the NaNoWriMo goal of 50,000 words in a single month is about completing that. It’s just a goal; a difficult goal. But the point of this goal is to learn how to squeeze every ounce of free time into your creativity: For writers to give it their best, grasp the concept of pumping out a rough draft without worrying about revisions, editing, or how a chapter flows.

Talk to any writer and most of them will tell you they have an abundance of ideas, and the hardest part is writing it out. This is the sole purpose of NaNoWriMo: get that idea out on paper and worry about refining when it’s finished! This could very well be a revolutionary idea in the realm of books.

You can read the whole article HERE.

If you’re a writer, you can find out more about NaNoWriMo HERE.

Helicon Books eBook Quality Assurance Service Offers Writers EPUB Review and Report Ahead of Publishing

A free tool from Helicon Books, the online EPUB validation, aims to save writers time and money when publishing eBooks by offering them a full review and report of critical errors in their document ensuring a smoother process to market, including quality assurance against iBooks and Kobo specific guidelines.

Helicon Books’ EPUB Quality Assurance (QA) service for eBooks offers writers and publishers a new validation service to ensure that all books are error free ahead of publishing, thus saving any potential costs and complaints from readers.

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Vivalogue Announces New Self-Publishing Forum for Independent Authors

New Westminster, B.C. (PRWEB) November 29, 2013 – Vivalogue, an author services company based in New Westminster, BC, has strengthened its commitment to independent authors by launching a new networking cooperative for self-published authors and writers considering self-publishing.

The network “Raindance for Independent Authors” grew out of the Raindance Book Festival for Independent Authors held November 9, 2013 in Richmond, B.C. Believed to be the first of its kind in Canada, the festival included a book fair, workshops, editors’ ‘blue pencil’ sessions and a book drive supporting Frontier College. The festival was organized using a collaborative model which encouraged authors to contribute their collective time and talents. Authors identified this collaborative aspect of the festival as a key benefit of participation and expressed interest in continuing these relationships.

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